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Saturday, November 24, 2012

Beyonce'

One of my Fave Songs by Beyonce' is Single Ladies.
My Man Put a Ring On It! LOL!

"Single Ladies (Put a Ring on It)" is a song by American recording artist BeyoncĂ©Knowles from her third studio album, I Am... Sasha Fierce (2008). The renditions of Beyonce's 'Single Ladies' are still strong,

All The Single Ladies 7x Now Put Your Hands Up Up In The Club We Just Broke Up I M Doing My Own Little Thing You Decided Where You Want To Dip.

I really Love all of Beyonce' songs. Did you know that, people are trying to understand what the song means, Personally, I feel this song is a message to the single all women out there. Women of race go through a lot with men,and always ends up with wrong guy. Beyonce is telling them to wait until they find someone worth marrying. ("Cause if you like it, then you shoulda put a ring on it") Mr. Right is out there for every female, so we shouldn't write off or crash, or man hate. Just because a Man hurt us in a bad way.

Some women think that the song means the black marriage rates have declined drastically. Now, we have the stereotype of the single black woman. With the high incarceration rates of black men in the U.S., it is hard for a black women to find a black man that would commit and help her raise a stable family. So, in response to other comments, there is meaning to this song.

Others think that A cute, catchy song that made the artist millions. Not lyrically genius, but it's got a good message. I am single, and if you are than you should have all the fun you want, but once you're married the only fun you should have is with your spouse and platonic friends. That's the message, which is basic.

Also most people that it's most horribly annoying song ever written.

NOT ME! I LOVE THIS SONG, and like I said before. MY MAN PUT A RING ON IT! We have been Married for  5 yrs. now. I LOVE IT!

Thursday, November 8, 2012

Do you remeber Molly Ringwald?

Do you remember Molly Ringwald? I do she was another of my Fave Actress. 

I remember the movies she was in like: Sixteen Candles, The Breakfast Club,Pretty in Pink, and my Fave Sixteen Candles. I love her in all of these moves!

Some people might remember her other movies like: Not Another Teen Movie, or The Stand. (Did you know she had a cameo in Not Another Teen Movie.)

During the mid-1980s, Molly Ringwald was the uncontested queen of teen movies ... "The Breakfast Club" (1985) and "Pretty in Pink" (1986) Everyone in those days Loved her and want to be her.

I went to school with a girl that looked at acted just Molly Ringwald. LOL!

Molly Ringwald | Movies and Biography - Movies


BornMolly Kathleen RingwaldFebruary 18, 1968 (age 44)Roseville, California, United States OccupationActress, singer, dancer, writer Years active1977–present Spouse(s)Valery Lameignère (1999–2002)Panio Gianopoulos (2007–present; 3 children)

Molly Kathleen Ringwald (born February 18, 1968) is an American actress, singer, dancer, and author. Having appeared in the John Hughes films Sixteen Candles(1984), The Breakfast Club (1985), and Pretty in Pink(1986), Ringwald has been frequently named the greatest teen star of all time.[1][2][3] She currently plays Anne Juergens in the ABC Family show The Secret Life of the American Teenager.

From the mid- to late '80s, slender, carrot-topped, and luscious-lipped Molly Ringwald was the reigning teen queen of mainstream films. At the peak of her popularity, Ringwald was on the cover of Time magazine and even had groups of adolescent girl fans, called "Ringlets," who would emulate her every move.

 The daughter of jazzman Bob Ringwald, the leader of the Great Pacific Jazz Band, Ringwald was raised in Sacramento, CA, where she was born February 14, 1968. She started performing as a toddler, although not as an actress. She embarked on a very early and brief career as a singer after her parents discovered that she had a remarkable ability to perfectly match the tune and phrasing of almost any song she heard. Ringwald began singing jazz with her father at state fairs, and by the age of six, she already had a jazz album, I Wanna Be Loved By You--Molly Sings. 

 In the meantime, Ringwald began to develop an interest in acting: she was four when she started hanging around the local community theater and five when she started getting small parts, including the role of a preacher's child in Truman_Capote's The_Grass_Harp. At the age of eight, Ringwald appeared on The New Mickey Mouse Club. Encouraged by her talent and driven by her father's desire to get better bookings for his band, Ringwald's family moved to L.A.'s San Fernando Valley. In 1979, the actress won a part on Norman_Lear's sitcom The Facts of Life. Ringwald only lasted a season before she was let go, but her television work paved the way for subsequent screen roles.

In 1982, Ringwald made an auspicious film debut in Paul_Mazursky's acclaimed Tempest, earning a Golden Globe nomination for her portrayal of John_Cassavetes' daughter. In order to prepare for the role, Mazursky had Ringwald and her family move to a flat in New York's Greenwich Village to help her develop the necessary New York accent and attitude. Her performance in the film attracted the attention of screenwriter/aspiring directorJohn_Hughes who cast her as the protagonist of Sixteen_Candles (1984), his wistful chronicle of suburban teenaged angst. The film was a hit, and so was Ringwald. Hughes would cast her in two more teen films, The_Breakfast_Club (1985) and Pretty in Pink (1986), both of which were hugely popular with teen audiences. In addition to a solid film career, Ringwald -- who had become a household name -- also occasionally appeared in television movies. 

 Despite her continued success through the early '90s, Ringwald felt her life had reached a crossroads; by 1992, she decided to sell her house, put her personal effects in storage, pack up seven suitcases, and exchange life in the L.A. fast lane for a more romantic existence in Paris, where she was busy shooting Seven_Sundays (released in 1994). Ringwald, who had learned French while attending a French high school in Los Angeles, remained there, dividing her time between reading (she has been a voracious reader since childhood when she and her siblings would read stories to her blind father), writing short stories and screenplays, cooking, and hanging out with her French husband. She occasionally continued to act in American and internationally produced films and television projects that include George_Hickenlooper's Some Folks Call It a Sling Blade (1993),Stephen_King's The_Stand (1994), and Teaching_Mrs._Tingle (1999). Ringwald also continued to do stage work, appearing in an acclaimed 1998 off-Broadway production of Paula Vogel's +How I Learned to Drive. She spoofed her own iconic persona by appearing in the 2001 comedy Not Another Teen Movie, and in 2008 she was cast as the mother in the Fox Family series The Secret Life of the American Teenager. 

Molly released an album at the age of 6 entitled, "I Wanna Be Loved By You, Molly Sings". She is the youngest daughter of Bob Ringwald, the blind jazz pianist. At age five she starred in a stage production of "Alice in Wonderland", playing the dormouse.

Saturday, November 3, 2012

Molly Ringwald acts, writes books, and sings jazz.


When It Happens to You

Molly Ringwald mines the complexities of modern relationships in this gripping and nuanced collection of linked stories, WHEN IT HAPPENS TO YOU. Writing with a deep compassion for human imperfection, Ringwald follows a Los Angeles family and their friends and neighbors as they negotiate the hazardous terrain of everyday life — revealing the deceptions, heartbreak, and vulnerability familiar to us all.
The iconic Molly Ringwald shares intimate stories and candid advice in this fun, stylish, and sexy girlfriend’s guide to life.
“A lighthearted guide for women… who want to be reminded of their youthful, carefree selves.”  -New York Times.





Excerpt from When It Happens to You

As far as Greta knew, there was nothing in the sky that night.
Lying on her back in the bathroom on the cool of the white marble tiles, she heard the summons again. Her husband tapped the horn of the car: one long, noisy beep followed by two shorter taps, as if in apology. She strained to close the zipper on a pair of jeans without pinching the soft flesh of her midsection. It was a task she found both onerous and humiliating, primarily since she had purchased the pair less than a month ago, having gone through the same depressing experience with every other pair that lay folded in her dresser. Another short beep to remind her (in case she had forgotten) that her husband and daughter were waiting in the idling car, but this really had been sprung on her, and there might be photos. She wanted to at least make an attempt at presentability. There weren’t many photos of the two of them anymore, not like the early days, before Charlotte was born. Now any photo seemed to be taken from their six-year-old daughter’s height— hardly a flattering angle: the upward tilt of Greta’s crooked smile, and the heavy lower lids of Phillip’s distracted and vaguely startled eyes, as though he didn’t quite expect to find himself there.
Finally she managed to maneuver the zipper most of the way but left the top button unbuttoned. She pulled her oversized T-shirt over it and grabbed a sweater on her way out the door, stuffed it into her bag, and ran to the car. Phillip had backed it out of the driveway and waited at the curb.
“Sorry,” she said through the open window.
“We’re going to miss it, Mama!” Charlotte pouted.
Greta glanced at her daughter strapped into the backseat, still dressed in her pink gymnastic unitard and flip-flops. The air had begun to cool and Greta could see the gooseflesh on Charlotte’s skinny arms.
“Did you pack her a sweater?” Greta asked Phillip.
“I thought you did. Isn’t that what was taking so long?”
Greta didn’t answer, ashamed that she had packed a sweater for herself but not for Charlotte.
“I can go back,” she said, but Phillip was already driving down the street, away from children’s sweaters and dinner half-prepared. She tried to remember if she had locked the door behind her but figured that they would be gone for such a short amount of time, the chances of a break-in were unlikely.
“I’m not cold,” Charlotte insisted. She had her legs stretched out onto Phillip’s seat in front of her.
“I know, honey, but we aren’t outside. Put your feet down.”
Charlotte dropped her legs in a dramatic fashion. “Daddy lets me.”
Greta studied the side of her husband’s face. Squinting into the sun, he almost looked as though he were smiling. But his jaw was rigid. Greta could tell that he was grinding his teeth and thought about reminding him of the warning their dentist had given Phillip at his annual checkup but decided against it. He careened down the hill, running through yellow lights on their way to the ocean. Charlotte made excited noises that increased in volume with each turn.
“Whoaaaaa . . . whoaaaa!” She exaggerated with the movement of her body as though they were thundering along a roller- coaster track.
“What do you think, the ocean or the mountains?” Phillip asked.
“Well, I hope the ocean because that’s where we’re headed,” Greta said.
Phillip glanced over at her, did a quick inventory of her face, and then looked back at the road.
“I mean, this is your thing,” she said. “I didn’t even know anything about it.”
“They only happen every twenty years,” he said quietly. “It seems like a shame not to at least make the effort.”
“That means that the next time there’s a harvest moon, I’ll be a grown-up!” Charlotte told her mother. “Right, Daddy?”
“That’s right, sweetheart.” Phillip smiled at her in the rearview mirror. Greta watched the lines appear around his eyes and along the sides of his mouth as he smiled. It made his face look like it was melting, softening, but then just as quickly his jaw set and the determination reappeared.
“What makes this one so special is the fact that it’s so close to the equinox,” Phillip explained in a louder voice so that his daughter could hear him from the backseat. “Usually it’s days, or maybe even weeks apart, but this time it’s only six hours!”
” ‘Equinox,’ ” Charlotte repeated gravely.
Greta was sure her daughter didn’t know the word. She turned around and said, “Equinox means when day and night are about the same length.”
“I KNOW!” her daughter screamed. Phillip startled and the car swerved slightly into the other lane and then back again.
Greta grabbed onto the dashboard, hitting an imaginary brake with her foot. “Jesus Christ!” She ran her hands through her hair, grabbing little fistfuls of it.
“Charlotte!” Phillip said, raising his voice.
“You told me already, Daddy! She’s always telling me things I already know.” Charlotte pointed at her mother accusingly, and when both parents were silent, at a loss for words, she started to whimper for effect.
“It’s true, I did tell her,” Phillip said to Greta in a low voice intended only for her. “While we were in the driveway.”
Greta waited for Phillip to discipline Charlotte. Paternal authority always carried more weight— though perhaps it only seemed this way to Greta, since it had been the case in her own childhood home— but when Phillip failed to say anything, Greta turned around to lecture her daughter herself.
Charlotte was no longer trying to cry, her tiny shoulders folded inward with an approximation of sadness, but staring at a bug scuttling across the windowpane beside her. She watched it in silence, patiently and oddly still. Just as the bug reached the edge of the glass, Charlotte reached out her little hand and squashed it with her thumb. Greta half expected her to lick it off like their big overweight tabby would have done. Bile rose up from her stomach to the top of her throat, shocking her. She clamped her hand over her mouth.
“Stop the car!” she tried to yell, but with the bile flooding into her mouth and her hand pressed tight to her lips, the words were indecipherable.
Phillip pulled over to the side of the road, and Greta lurched out of the car before he came to a complete stop. She took her hand away from her mouth and spit onto the ground. The ocean air slapped her skin and whipped her hair around her face. Hunched over, she waited to see if there was anything more to come, but all she had was the sour taste in her mouth.
She could hear Charlotte’s muffled voice coming from the backseat, asking Phillip if Mama was okay. The blood rushed to Greta’s head and she straightened up slowly, feeling dizzy. When she looked across the beach parking lot and up at the darkening sky, she couldn’t see the moon. If it was there, it was covered in the heavy low-slung ocean mist.
Phillip got out of the car and told Charlotte to stay where she was. Greta watched the overgrown palm trees swaying in the breeze. She had always felt a sort of kinship with the palm trees, transported here from somewhere else. Having grown up outside of Seattle, Greta was accustomed to her oceans surrounded by the great majestic cedar trees of the Pacific Northwest.
“What happened?” Phillip said, skirting along the gravel. He reached Greta and placed his hand on her shoulder.
She shrugged. “Could be the hormone shots. It’s a possible side effect,” she said.
He took his hand off of her shoulder and brushed the hair away from her face. It nearly made her cry from the tenderness. A tenderness long absent, but somehow unnoticeable until it’s back— even the smallest taste of it.
“I hate to break it to you,” she said, trying to smile. “But I don’t think there’s any moon tonight. Harvest or otherwise.”
He scanned the sky, searching for a sign of the moon. The setting sun cast a reddish glow over everything, briefly turning his blond hair rosy-colored, like the frosted pink mane of one of their daughter’s stuffed ponies. Greta giggled at the image. Phillip glanced at her with annoyance. “We’re missing it,” he said.
“I’m sorry,” she said. She tried to assume the right expression, the patient, wifely expression that would say, even though this isn’t my fault, I’ll accept the blame.
“I guess we should have gone to the mountains.” He sighed.
Greta took his hand and laced her fingers through his. “We still can. It’s not all the way dark yet. Why don’t we do that?”
Opening the door for Greta, he kissed her quickly on the forehead and headed around to the driver’s side.
“Charlotte has her violin lesson,” he said. “Theresa’s probably already at the house waiting.”
“Theresa!” Charlotte shrieked with excitement.
“I didn’t even know that you scheduled a violin lesson. Didn’t she already have one this week?”
“It’s on the calendar,” Phillip said. “All you have to do is check it.”
He shifted the car into drive and signaled to the oncoming cars that he wanted in. Greta craned her head to help him look. It was a habit that Phillip had first teased her about, citing it as a lack of confidence in his driving. Then he had cajoled, criticized, and finally flat-out asked her not to do it. Despite his insistence, even now she could not stop herself. Though why she thought she was any more capable than her husband at spotting danger, or opportunity, Greta couldn’t say.

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